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La Escultura renacentista en Navarra y su área de influencia

García Gainza, María Concepción (1998) La Escultura renacentista en Navarra y su área de influencia. Inx: Errenazimenduko Artearen Berrikusketa = Revisión del Arte del Renacimiento = Rèvision de l'Art de la Renaissance. Ondare. Cuadernos de Artes Plásticas y Monumentales (17). Eusko Ikaskuntza, Donostia-San Sebastián, pp. 57-72.

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Official URL: http://www.euskomedia.org/analitica/1418


The development of the sculpture in Navarre along the XVIth century is analised in two phases. The first renaissance phase (1517-1563) is characterized by the disparity of languages and the activity of foreign masters, mainly French and Flemish. The sculpture in Navarre is submitted to a double influence fro Aragon and La Rioja. In the second phase, the sculpture of the Counter-Reformation period, a change in the concept of the religious image and its functionderiving from the Council of Trento can be appreciated. A peak of this sculpture school takes place at this time and Navarra is going to become the difusion center of the Romanism throughout La Rioja, Aragon and the Basque Country

Item Type:Book Section
Additional Information: Continuación de Cuadernos de Sección. Artes Plásticas y Monumentales
Uncontrolled Keywords:Sculpture; Focos escultóricos; Renaissance; Eskultura; Navarre; Berpizkundea; Nafarroa; Eraginak; Kanpoko maisuak; Eskultura fokoak; Influences; Sculpture; Foreign Masters Anchieta.; Renaissance; Escultura; Navarre; Escultura; Navarra; Influences; Renacimiento; La Rioja; Maîtres étrangers; Influencias; Aragón; Centres sculptoriques; Maestros extranjeros
Subjects:Sciences of Arts and Letters > Fine arts theory, analysis and criticism
ID Code:888
Deposited On:03 May 2013 15:45
Last Modified:03 May 2013 15:45

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¹Esta fecha corresponde a los datos de catalogación, no al propio documento.