El grabado vasco-navarro en el Renacimiento

Abstract

In spite of the fact that the only Renaissance-period prints which have been conserved are those which illustrate books, the present study shows that in the Basque Country as well as in Navarre there had to be numerous engravings, especially of a religious character, which originated from large European production centres like Paris, Lyon and Geneva, and the Iberian peninsula. The article also confirms that some of the printing presses established in the area were also devoted to engravings and stamping