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Arte, música y semántica de autores. Un caso práctico: Fernando Remacha y la poética del 27

ANDRÉS VIERGE, Marcos (2000) Arte, música y semántica de autores. Un caso práctico: Fernando Remacha y la poética del 27. Musiker. Cuadernos de Música (12). pp. 55-76. ISSN 1137-4470

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Official URL: http://www.euskomedia.org/analitica/5921

Abstract

The criterion that music can full file the functions of a language or at least look like a language, has sat the basis to formulate theories that are partly based on a comparative analysis between language and musical language. But independently of such theories, composers have always assumed a determined poetry with respect to this matter. The intention with this article is to analyse the roots of the problem in terms of an aesthetic experience, while revising some of the various proposals that have been formulated throughout history. Concretely, and focusing exclusively on the work by Fernando Remacha, the contradictions that a rise between the aesthetic theory, poetry and composing practice in connection with such a topic are revealed in a frank and direct manner.

Item Type:Article
Additional Information:Continuación de Cuadernos de Sección. Música
Uncontrolled Keywords:Remacha Villar, Fernando; Música
Subjects:Sciences of Arts and Letters
ID Code:7126
Last Modified:11 May 2011 16:43
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¹Esta fecha corresponde a los datos de catalogación, no al propio documento.