Efectos del oído absoluto en la práctica musical

Abstract

Over the last few years new lines of research have been initiated in order to study if an absolute capacity of hearing is actually advantageous in musical practice. Frequent contradictory results have led us to reflect on the different types of absolute hearing and to observe data that cannot be monitored by psicoacustics on the musical life of the subject evaluated. We could thus contribute to an improvement of the educational evaluation and to a new position on development proposals of melodic skills.