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Modelos cortesanos para esculturas y pinturas neoclásicas en Álava

Tabar Anitua, Fernando (2002) Modelos cortesanos para esculturas y pinturas neoclásicas en Álava. Inx: Revisión del Arte Neoclásico y Romántico = Arte Neoklasiko eta Erromantikoaren berrikuspena = Révision de l'Art Néoclassique et Romantique. Ondare. Cuadernos de Artes Plásticas y Monumentales (21). Eusko Ikaskuntza, Donostia-San Sebastián, pp. 243-250.

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Official URL: http://www.euskomedia.org/analitica/915


For the classification of Neo-classicism in Alava, it is interesting to verify that the copying and imitation of sculptures and contemporary paintings from the Madrid school brought to the territory, was one of the means the style had to attain its breakthrough into popularity. The quality of those models also meant a certain improvement of the local artistic level. One of those copies allows us to know about a lost work by Vicente López. Around the end of the 18th century, baroque paintings imported in their times were also copied in the new Neo-classical style.

Item Type:Book Section
Additional Information: Continuación de Cuadernos de Sección. Artes Plásticas y Monumentales
Uncontrolled Keywords:Neoclasicismo; Escultura; Pintura; Arte
Subjects:Sciences of Arts and Letters > Fine arts theory, analysis and criticism
ID Code:522
Deposited On:03 Oct 2008 15:13
Last Modified:03 Oct 2008 17:54

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